POKETHROUGHS happen frequently when fitting, but esp DURING ANIMATION.
Typical clothed characters - Non-Standard/ Standard, hide inner mesh or not, will have OVERLAPPED MESH AREA between clothing-skin or clothing-clothing LAYERS. Overlapped layers frequently intersect from REALTIME deformation - in tight-fit areas: shoulders, chest, back, upper arm, neck, abdomen... - in loose physics-enabled areas: buttock thighs calves in tunics, trench coats, skirts... - between its own necessary-2-sided mesh areas such as big lapels and folded sleeves
With CC and increasing interest in multi-layer clothing characters... With arrival of increasingly pro-grade animators who import misc complex custom rigs... REALTIME pokethroughs is a certainty, soon to escalate exponentially in iClone space.
Managing pokethroughs is fumbly enough - on a ONE frame ONE-pose doll's tiny bikini top... Current iClone fix (for all pre-conformed clothing characters) = Opacity map painting in EXTERNAL 2D app - multiple back & forth! At best, tedious; at worst counter-intuitive. Most iCloners aren't UV maestros - no clue where exactly to paint on a flat grey scale texture! Even skilled users capable of guestimate-eyeballing find it a time-killer!
The far bigger issue: Fixing MULTI pokethroughs on a MULTI-layer character through 10000+ frame animation... Current iClone fix: EYEBALL IT (Them All) 1. Playback; diligently dart eyeballs left right everywhere on character multi-layer parts 2. if pokethrough spotted, camera adjust, HIDE THEM from camera view, frame by frame. 3. Or redo, re-record character motion. Then resume EYEBALL-IT from step 1. Amazingly efficient solution for a giant time-devouring character animator headache? Existing workarounds: Tip1: action scenes: always allocate an hour or so per multi-layer character! Tip2: camera avoid pokethrough-prone clothing zones! (top to bottom basically) Tip3: avoid action scenes if main characters are clothed! Feasible (and ultra-modern) ???
Seriously... Time for iClone to have a more direct, user-friendly, iteractive, INTUITIVE realtime pokethrough fix.
BASIC MORPH TOOL Call it iMove brush, Displacer, iDeformer, something iClone-ish and fun. *ref pic: Poser's famous and fabulous Morph Tool (iClone already improved upon Poser's Walk/Talk Designer, next Morph Tool?)
Basic displacement options: size, fall-off radius, intensity. Basic shapes: round, square. Basic modes: Normals/ Screen Space. On characters: morph Mirroring by Axis + by Material Group. On clothing: Ignore Backface tick box for 2-sided clothing parts (lapels etc) Visual feedback: two tones gradient - color-select (like Bone color) shall suffice.
To set various pokethroughs per scene object parts throughout Timeline: Morph result save as CREATE CUSTOM MORPH per iAvatar, iAccessories, iProp + Custom Morph Sliders (placed in Motion tab > NEW Animation Settings) + Custom Morph Motion can be keyed (to appropriate body/face/Animation key tracks) + Custom Morph Motion can be saved/collected as Clips and Add to Perform
*Clutter prevention: Beyond a certain number of (say 3) Custom Morph sliders, Motion>Animation Settings could be made a Sub-Tab (like Reach Target)
This Morph Tool is just a crude vertex displacement tool, not exactly modeling/sculpt tool But it can still meet a few frequently-requested secondary animation needs in iClone: ...to deform simple objects (cushion dent, impacted soft metal door etc) ...to animate cartoony pulsating biceps or punched cheek etc ...to melt simple form like cheese, candle into a soft puddle, etc.
A simple morph tool will not only help reduce iClone dependency on external apps and saves precious time, it will make novice or pro iCloner's animation life a lot easier, not to mention so much more fun, creative and productive.
Another great suggestion, it seems the armpit seams are a constant issue. With the addition of morph sliders in CC a fix for poke through should be a requirement.
animagic
I support this suggestion as it would allow a kind of control that is difficult to achieve with the current global conform feature, which doesn't always work.
To give an example, I had a problem with the collar of a shirt interfering with a jacket. The only way in which I could fix it was by doing some reshaping in an external modelling program and then do a Replace Mesh. Then I had to check the result and repeat the procedure a couple of times.
The solution suggested by RL, painting a transparency map, is also not very practical, as it requires a lot of trial and error. I've found for instance that the mapping around the armpits is not straightforward and regions are not always continuous.
1
You are going to edit a submitted issue. This issue will be changed to private draft mode until you click submit again. Are you sure?